Palestine in early photographs

[Palestine]. Collection of 27 cardboard-backed photographs by Félix Bonfils (24), Jakob August Lorent (1), the brothers Zangaki (1) and an unknown artist (1).

Palestine, ca. 1875.

C. 258 x 325 mm (cardboard); image dimensions c. 222 x 284 mm. Albumen prints (vintage) on cardboard.

 4,000.00

By Bonfils, from Bethlehem: "Tombeau de Rachel" (no. 336); "Puits des Mages" (889); "Entrée des pèlerins à Bethléem, le jour de Noël" (892, illustrated in Wieczorek/Sui, "Ins Heilige Land", p. 106); "Vue générale de Bethléem, du puits de David" (1225) and interior of the Church of the Nativity (uncaptioned); from Jaffa: "Place du marché vue générale" (238, ill. with alternative caption in W./S., p. 67); from Jerusalem: "Porte de Jaffa" (244, ill. with alternative caption in W./S., p. 73); "Mur des Juifs en vendredi" (245); "Façade du St-Sépulcre" (246); "Prison de St. Pierre" (250); "Arc de l'Ecce Homo" (252); "Ruelle allant au palais d'Hérode" (259); "Coupoles du St.-Sépulcre" (274); "Vue générale de la mosquée d'Omar" (278); interior of the Dome of the Rock ([279], illustrated with caption but trimmed in W./S., p. 85); "Porte donnant accès au-dessous du rocher" (280); "Vue générale de l'emplacement du temple de Salomon" (285); "Porte de Damas" (287); "Jardin de Gethsemané, vue générale" (303, ill. trimmed in W./S., p. 76); "Vallée de Josaphat" (310); "Intérieur du St-Sépulcre avec ornements" (850); "Grotte de Sainte-Hélène, intérieur" (855 bis); "Entrée de Jérusalem près de la porte de Jaffa" (1037) and "Rue de la Porte de Jaffa" (1038).

By Lorent: "Tombeau de David sur le Mont Sion" (288). This is apparently a print of the 1864 image illustrated in Wieczorek/Sui (p. 88), made by Bonfils and supplied with a caption. Curiously, that image is trimmed by several centimeters on the left, as compared to our print.

By the Zangakis: "Jerusalem", "Eglise du Pater couloir" (1018).

Anonymous: "Juive, costume riche" (1).

4 photographs show slight edge defects. Occasional staining to cardboard edges, but mainly clean and well-preserved, with German ms. pencil captions.