Musica [...], denuo recognita, multisque novis regulis & exemplis adaucta, ac correctius quam antea edita.
8vo. (86) pp., final blank f. With armorial woodcut device to title page; numerous woodcut diagrams and letterpress musical notes in the text. Modern vellum.
Early edition of one of the principal treatises of musical instruction produced in the 16th century, containing a wealth of pioneering theories and practical examples; first published in this form in 1537. It also boasts the first consistently executed example of a canon (still called "fuga"), with references to compositions by Josquin and Walther.
Based on the works of Rhaw and Agricola, Listenius's treatise avails itself of Melanchthon's new educational methods and "became very popular as a school primer in Germany and Austria, and had appeared in more than 40 editions before 1583. The treatise was primarily for teaching singing, and is arranged in a novel manner. Each subject is treated in a series of short, simple rules copiously illustrated with music examples. In the section on mensural music Listenius used the canon [...] for his examples. For the first time, in addition to the traditional terms 'musica theoretica' and 'musica practica', he introduced the term 'musica poetica', by which he meant instruction in composition. The term remained in general use in Germany for over a century" (K. W. Niemöller, New Grove XI, 28).
A variation of the edition which RISM cites as "Nürnberg, Johann Berg & Ulrich Neuber, 1562", but without date (which VD 16 gives as "ca. 1550"). Top edge slightly trimmed without loss to text; insignificant worming to lower gutter.
VD 16, L 2037. RISM (Ècrits impr.) 509. Eitner VI, 190. Cf. Hirsch I, 322.