Jean-Baptiste Colbert's Breydenbach: the first printed travel report of the Middle East, including the first Arabic alphabet in print
Peregrinatio in terram sanctam.
Small folio (215 x 290 mm). 147 (instead of 148) unnumbered ff. (lacking the final blank, as common). Rubricated throughout and with numerous red and blue Lombardic initials. With full-page title woodcut, 8 woodcuts and 6 woodcut alphabets in the text, 2 woodcut initials (1 armorial), small woodcut printer's device, and 7 folding woodcut views (some with text or woodcut illustrations on verso), two of which are in partial facsimile. 17th century full mottled vellum with gilt-stamped spine label. All edges sprinkled.
€ 220,000.00
Editio princeps of the first modern account of a journey from Venice to the Holy Land: Jean-Baptiste Colbert's copy, preserved in its elegant, 17th century marbled vellum binding, and later in the library of the Earls of Macclesfield.
This is the first issue (with the misprints "matire" and "pera") of "the first illustrated book of travel ever printed [...] [T]he folding panoramic views [...] are the first authentic representations of the famous places depicted, i. e., the ports usually visited by every pilgrim of the period [... The] artist was Erhard Reuwich [..., who] graphically record[ed] the impressions of the voyage" (Davies). The splendid panoramic folding views, hailed by William Morris as "the best executed illustrations in any medieval book", show Venice (more than 160 centimetres long), Porec and Corfu (both ca. 40 cm), Methoni, Crete and Rhodes (all ca. 80 cm) as well as Jerusalem (ca. 125 cm).
This work is considered the first authentic Western source for the Middle East, as the illustrations were prepared on the spot, from personal observation of the lands and people described. Breydenbach travelled to the Holy Land in 1483/84 with a large party including the artist Reuwich. Following the traditional route, they travelled from Venice to Corfu, Modon, Crete, Rhodes and Jaffa before arriving in Jerusalem, and then through the Sinai desert to Mt. Sinai, Cairo, and Alexandria on the return journey. The book quickly became extremely popular and was translated into French, Dutch and Spanish before 1500. It includes illustrations of Middle Eastern and Bedouin costume, a glossary of common Arabic words, and pictures of animals encountered on the journey (including a crocodile, a camel, and even a unicorn), as well as an Arabic alphabet - the latter of especial importance for being the first of its kind ever to see print: "The first representation of Arabic letters in a printed book was done in Germany; this was the woodcut of the Arabic alphabet in Bernhard von Breydenbach's 'Peregrinatio'" (Toomer).
The views in this copy are well preserved throughout and present as complete, although two have rather substantial facsimile portions: in the view of Venice, the left seven of altogether nine page-width panels have been supplied on old paper, while in that of Jerusalem and the Holy Land (frequently lacking altogether), the left five (of seven) panels have been supplied. The view of Rhodes has a small paper repair in the middle, with minor loss to the caption "Rodis".
The present first edition is extremely rare in the trade, usually appearing only in severely mutilated copies or even in fragments comprising no more than a few leaves; copies preserved in early bindings with fine provenance are highly sought after. Only two are listed in auction records since 1900: the Doheny copy, with two leaves supplied from another copy (Christie's NY, 22 Oct. 1987, lot 12: for $110,000, to H. P. Kraus), and the Perrins-Wardington copy (complete), sold at Sotheby's in 2005 for £265,600 (today, approximately 500,000 Euros). The Consul Smith copy sold at Christie's in 2018 lacked one quire consisting of the Jerusalem view and two woodcut scenes, as well as about half of the Venice and Rhodes views.
A prestigious copy from the library of Jean-Baptiste Colbert, the great French statesman who served as First Minister of State from 1661 until his death in 1683 under the rule of King Louis XIV. Colbert was a passionate bibliophile, who formed, with the scholar Carcavi, a collection famous throughout Europe.
1) Jean-Baptiste Colbert (1619-83) with the annotation “Bibliotheca Colbertina” on the first text leaf. 2) His elder son, the Marquis de Seignelay (1651-90). 3) Jacques-Nicolas Colbert (1707). 4) Charles-Eléonor Colbert, Comte de Seignelay (1747). 5) Library of the Earls of Macclesfield, Sotheby's, Part IX, 15 March 2007, lot 3104.
A few remarginings and the occasional light stain. Trimmed a little closely during the 17th century rebinding for Colbert, the knife having barely touched a few 15th century marginalia as well as the upper edge of the woodcuts showing the Church of the Holy Sepulchre and the Abyssinians of Jerusalem. Inconspicuous facsimile repairs to the view of Venice (7 out of 9 panels) and Jerusalem (5 out of 7 panels), all printed onto old paper from a digital source and expertly segued into the original portions. Rebacked paper flaw to view of Rhodes with slight loss.
HC 3956. Copinger, Supplement I, p. 126. Goff B-1189. GW 5075. Proctor 156. Pellechet 2979. BMC I, 43. BSB-Ink B-909. Klebs 220.1. Schreiber 3628. Bodleian B-552. Hubay 468. Schäfer 84. Oates 52. Davies, Breydenbach, Nr. I. Fairfax Murray 92. Campbell (Maps) 65. Hillard 486. Aquilon 181. Arnoult 366. Parguez 275. Péligry 226. Torchet 228. Zehnacker 577. ISTC ib01189000. Muther, Deutsche Bücherillustration, p. 89, no. 639. E. Ross, Picturing Experience in the Early Printed Book: Breydenbach's "Peregrinatio" from Venice to Jerusalem (University Park, PA, 2014). Dibdin, Bibl. Spencer III, pp. 216-228. H. W. Davies, Bernhard von Breydenbach and his journey to the Holy Land, 1483f.