Milton, John, English poet and intellectual (1608-1674). Autograph note signed ("Jo. Milton").No place, 1634.

Autograph signature with words in his hand: "pro [or pre?] 12s 6d 1634".

Provenance: John Nichols (1745-1826), printer, author and antiquary, an intimate friend of Dr Johnson, Boswell, Horace Walpole, etc. This autograph was contained in an early 19th century album, the first page of which bears the laid-down inscription "These Autographs were collected by my youngest Daughter Anne Susanna / J Nichols / Oct 29. 1813".

John Nichols was apprenticed to William Bowyer (known as "The Learned Printer") in 1759 and eventually succeeded him in the business and became the foremost printer of his time. Nichols was editor and printer of The Gentleman's Magazine from 1788. He was an eminent antiquary and amassed a great quantity of literary and historical documents, mostly in connection with his literary works, such as his "History and Antiquities of Leicester" (1795-1815) and "Illustrations of the Literary History of the Eighteenth Century Consisting of Original Letters of Eminent Persons" (1817). He was not an autograph collector himself and disposed of his papers by giving many away or by donations to museums. Since his death many of his papers were acquired by the British Library, the Bodleian Library in Oxford and the Folger Shakespeare Library in Washington, and many were dispersed by Sotheby's over a period spanning almost 100 years from 1878. However, he encouraged his youngest daughter, Anne Susanna Nichols (1788-1853), in the pursuit, and in a letter to her he wrote: "There can be no reasonable objection to your collecting the Autographs of Persons who have been eminent either for high station or Literary Talent, as the hand-writing often the index of the Mind; the pursuit is harmless and even meritorious, provided it be made as a matter of amusement and not of business which would be incompatible with the duties of a Female. I never had the leisure, or the inclination to make such a Collection for which during the long period of sixty years I had every Facility, and I now regret that I have destroyed many hundreds and given away many more, which might have furnished for you a rich Collection. I am glad, however, to be still able to add a few names of evidence [...]".

Anne Susanna and her brother, John Bowyer Nichols, went on to become two the 19th century's foremost collectors of autographs, many of their choicest items now being held in national collections. Anne Susanna's nephew John Gough Nichols was the author of "Autographs of Royal, Noble, Learned and Remarkable Personages Conspicuous in English History" (1829), which did much to popularise the collecting of autographs. This autograph of John Milton is sold together with John Nichols' laid-down inscription from the first leaf of Anne Susanna's album.

Old creases and tears with some paper losses just touching the "J" of "Jo.", but with no loss to signature or inscription.

Beethoven, Ludwig van, composer (1770-1827). "Neue Liebe, Neues Leben". Autograph musical manuscript.Vienna, 1798-1799.

First draft for the lied "Neue Liebe, neues Leben", a setting of a 1775 poem by Johann Wolfgang von Goethe, begun in late 1798. The present sketch, jotted down without interruptions in a very cursory, almost rushed hand, already contains the melody and the words with no expression markings, but includes occasional bass sections as well as parts of the piano accompaniment at the end of verses; it shows several important departures from the version printed in 1810. At the head of the page, written in a different ink and pen and comprising the first four staves, are the first eight bars of the finale of Beethoven's String Quartet No. 1 in F major (Op. 18, No. 1, composed between 1798 and 1800, published in 1801), providing the violin voice with the theme chorus of triplets.

The lied in its present version (WoO 127) was published in early 1808, nearly a decade after this first sketch, by Simrock in Bonn as the first part of the "III deutsche Lieder", apparently without the composer's consent. Beethoven subsequently revised his work (the manuscript of that revision, dated "1809", is today kept at the Beethoven Haus in Bonn) and published it the following year with Breitkopf & Härtel in Leipzig as part of his "Sechs Gesänge" (Op. 75, No. 2). "Il s'agit du monologue d'un amant que la rencontre d'un nouvel amour a bouleversé au point de ne plus savoir où il en est : sa tentation est alors de fuir ce qui le rend étranger à lui-même" (E. Brisson). In 1811 Beethoven presented a manuscript copy of that second version, the first leaf of which is also kept in Bonn (while most of the remainder is at the Pierpont Morgan Library in New York), to Bettina Brentano on the occasion of her wedding to Achim von Arnim. Nohl has pointed out that the present first draft with its "dramatic, aria-styled phrasings" retains a somewhat "grandiose and dark quality" as compared to the reduced later version, and "if one were to interpret the urgent stride so vividly apparent in this sketch, dashed off, as it seems, without a single interruption and in a mood of deep emotional excitation, then one feels instinctively that forces of an even greater passion than such as Bettina could have aroused in Beethoven must have been at work here" (cf. p. 695).

Occasional quite insignificant brownstaining; altogether very crisp. Both leaves annotated with Beethoven's name in a near-contemporary hand. At the head of the first page is the "mysterious caption" (cf. Nohl), also by a different, early hand: "Der Schluß von seinem letzten Septuor als Motto für den Text" (apparently referring to Beethoven's Septet, Op. 20, also written in 1799; a tentative explanation is advanced by van der Zanden, p. 168).

Beethoven manuscripts written before 1800 almost never come to market; no other complete autograph manuscript of this version is known. The two leaves formerly were a single bifolium owned by baroness Anna von Gleichenstein, the sister of Beethoven's friend Therese Malfatti (remembered as a possible dedicatee of "Für Elise"), which was soon separated. Even in 1865, when Nohl edited the first leaf, its counterpart was no longer in the possession of the Gleichenstein family. The first sheet later surfaced in the archives of the music publisher Schott in Mainz and was sold at Sotheby's in 2002 (6 December, lot 14: £65,725). The second leaf was offered in 1968 by Hans Schneider of Tutzing in his catalogue 136 (lot 37, DM 17,800; then again in cat. 142, lot 266, with illustration on p. 45) and was acquired in 1969 by a private collector who had it auctioned by Venator & Hanstein in Cologne in 2011 (cat. 118, lot 861: EUR 108,000). Now that both leaves have been reunited, Hans Schneider's words, written half a century ago about only the final 62 measures, are more true than ever: "Through Beethoven's synthesis of his own music with a text by Goethe we are presented with a musical autograph as desirable as it is beautiful" (cat. 136, p. 37).

August Wilhelm Schlegel

August Wilhelm Schlegel was a German poet, translator, critic, and a foremost leader of German Romanticism. His translations of Shakespeare made the English dramatist’s works into German classics. Schlegel was also the first professor in Sanskrit on the continent and produced a translation of the Bhagavad Gita. Schlegel’s translation of Shakespeare, begun in Jena, was ultimately completed, under the superintendence of Ludwig Tieck, by Tieck’s daughter Dorothea and Wolf Heinrich Graf von Baudissin. This rendering is considered one of the best poetical translations in German, or indeed in any language.

Henrik Ibsen

Ibsen is often referred to as "the father of realism" and is one of the founders of Modernism in theatre. He is the most frequently performed dramatist in the world after Shakespeare, and A Doll's House became the world's most performed play by the early 20th century. Several of his later dramas were considered scandalous to many of his era, when European theatre was expected to model strict morals of family life and propriety. Ibsen is often ranked as one of the truly great playwrights in the European tradition. He is widely regarded as the most important playwright since Shakespeare.

Friedrich Gundolf

Friedrich Gundolf, born Friedrich Leopold Gundelfinger was a German-Jewish literary scholar and poet and one of the best known academics of the Weimar Republic. In his works in literary studies, Gundolf took a new, historically-oriented view on literature, which centered on the philosophically determined registration of the poet. To him, the great writers (such as Shakespeare and Goethe) were symbolic figures of their time, and in his academic research he sought to present not only the artists themselves, but also the effects of their works. His best known publication is "Goethe" (1916), in which he radicalized the principles of his view on figures.

Elizabeth I

Elizabeth, daughter of Henry VIII and Anne Boleyn, in 1558 succeeded her half-sister to the throne. One of her first actions as queen was the establishment of an English Protestant church. Despite numerous courtships, she never married or produced an heir. She was cautious in foreign affairs, manoeuvring between the major powers of France and Spain. England's great military victory against the Spanish Armada in 1588 became associated to her name. As she grew older, Elizabeth became celebrated for her virginity. Her reign became known as the Elizabethan era, famous for the flourishing of English drama (Shakespeare and Marlowe), and for the seafaring prowess of adventurers such as Drake.

Erich Fried

Fried was born in Vienna, Austria, but fled to England after the annexation of Austria by Nazi Germany. He adopted British Nationality. He worked as a political commentator for the BBC German Service, and translated works by Shakespeare, T. S. Eliot and Dylan Thomas. His first official visit back to Vienna was in 1962. He published several volumes of poetry, radio plays, and a novel "Ein Soldat und ein Mädchen" (A Soldier and a Girl). He initially became known to a broader public in both Germany and Austria for his political poetry, and later for "Liebesgedichte" (Love Poems). His work was sometimes controversial, including attacks on the Zionist movement and support for left-wing causes.